A Cooler Pasture
35 x 45
$1,300

Last Run to Palm Beach
42 x 67
$2,400

An Endless Procession
49 x 33
$1,500

A collection of small works exploring light in the landscape, and its interaction with the sometimes subtle,

but ever-presence of man.

"Of Light and Hidden Presence" -

Light is light, and that is it, or is light the subject of the composition? Is light the hidden presence or could this be represented by the impact of other influence on the landscape?

Is there a landscape on this earth that does not have some tangible evidence of this impact, whether light, civilisation or what else? It may be subtle or totally dominating, but it is always present.

Light and the ways of manipulating it in combination with colour, tone and shading is the essential tool in giving life to a painting. Hard edges can be used for contrast and impact, flicks of colour and the blending of warm tones can be the difference between life and death of a composition. The intensity of white, or hidden secrets contained within swirling shadows - are all variations in the use of light and pigment that impact on the artists choice.

But what is the dominating influence on landscape composition?

Light on the Macleay
40 x 27
$1,200

Jerusalem Road
33 x 50
$1,400

Lucca Pizzeria
60 x 40
$2,200

Magpie Season
67 x 38
$2,200

Tuscan Afternoon San Gimignano
40 x 50
$1,500

Neutral Bay to Port
40 x 30
$1,100

Post Run to Mooreland
55 x 40
$1,400

Pittwater Calm
40 x 62
$2,500

The Rabbiter
72 x 40
$2,500

The Red Bridge, Venice
50 x 40
$1,500

Pittwater Turmoil
40 x 67
$2,100

The Red Bridge, Venice
50 x 40
$1,500

The Tidal Cave
40 x 47
$1,400

Of Pealing Paint & Failing
Render-Lucca, Tuscany
58 x 23
$1,600

Twilight Run, Stockton Ferry
35 x 50
$1,400