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"To write an essay about Ken Johnson's work does not allow one to speak, as one normally would, about a coherent style, a linear development, an orderly progression in the unfolding of a considerable talent.
Johnson has been drawing, painting, collecting, building, investigating and exploring from an early age. He has a voracious appetite for sensations and experiences. Coupled with great drive and prodigous energy his investigations have led him to all corners of the globe over the last thirty years.
His work has been influenced stylistically by each culture and produced bodies of work which are clearly indebted to this culture. This is an important learning strategy. Each time, almost imperceptably, his work has taken on a new richness and has extended his ability to deal with the cnetral theme of his work, the Australian landscape. The strategy of having multiple picture planes, side by side, slightly out of register introduce a very important element into Johnsons paintings. He has managed to insert a time element into these paintings, a reference to film frames which is very persuasive and confidently places these images in the presence.
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